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Clovis McEvoy
Unlabelled: Do you really need a record label to succeed in 2022?
Spitfire Audio Aperture: The Stack review: An unusual collection of super-sized electronic instruments
Beyond Stereo: Dolby Atmos and the race for space
Chaos and Climate: Hildur Guðnadóttir and Sam Slater on scoring the near-future world of Battlefield 2042
Orchestras, hair metal and Rick Astley: How Richard Jacques scored the new Guardians Of The Galaxy game
yeule: “Pop music is transmutable. Avant-garde carves and shapes how pop will evolve”
Beginner’s Guide: Everything you need to know about music production
Scoring an apocalypse: Herdis Stefansdottir on her music for FX’s Y: The Last Man
Krotos Audio Concept 2 review: granular engine boosts sound-design-friendly synth
Native Instruments Ashlight review: a dark, cinematic granular synth ideal for sound designers
How Black Widow composer Lorne Balfe broke an Abbey Road record
Fiddles, theremins and remote orchestras: Natalie Holt on her score for Marvel’s Loki
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