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“I like to find weird stuff that’s mad rare”: Inside Carter Lang’s overflowing hardware haven
“It was the most fun I’ve ever had in the studio”: Tobtok teams up with farfetch’d for a friend-centred EP
“Reason’s competition is actually Netflix and Steam”: CEO Niklas Agevik sees Reason as more than just a DAW
Mykki Blanco and Falty DL: “It’s hard to describe the most important collaborative relationship we’ve ever had”
AFROJACK: “It’s possible to achieve success in the music industry if you abide by certain disciplines and rules”
Modular racks, Moog synths and sandwiches: Inside ‘Betty’s’, Sylvan Esso’s “off-grid” studio
“Let your instinct lead the process,” says dancer-turned-producer DJ Karaba
How the vinyl industry weathered pandemic disruptions to emerge stronger than ever
Bootlegs, covers, and scammers: inside Slushii’s fight to reclaim digital ownership
Tycho’s $160,000 studio collection is flying off Reverb’s shelves: Why he’s selling and what to expect from his 2024 album
The Scarlett 4th Gen story: Focusrite’s journey from George Martin’s AIR to bedroom studios everywhere
Chris Lake: “If you’re trying to sound like everyone else, how are you going to stand out?”
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