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Stelios Vassiloudis on the “crazy Reaktor patches” and free plugins he used on ‘Human Damage Human’
How a file named ‘Deadmau5 Meets Two Shell’ became Ineffekt’s new hit, The Light
Georgia on feeling “liberated” working with Rostam and Dave Fridmann on new album Euphoric: “I was very open-minded; I wanted to learn everything”
What could Apple’s Vision Pro mixed-reality headset mean for music production?
A major record deal after three years: How did MARGE do it?
The Importance Of Being Loud: Ohma is here to change the microphone as you know it
Amelie Lens’ EXHALE community is not an audience, it’s a family: “It’s about championing the underground”
EPROM on using Max4Live to control onstage robotics and creating melodies with granular synthesis
In Pursuit of Repetitive Beats – A multi-sensory VR joyride into Acid House
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