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Sam Paganini on his concept album, Light + Shadow: ”I love to produce dancefloor tracks, but I need a balance when I write music in the studio”
JVNA: “I care about music being beautiful. I choose a melody that makes me feel like I’m on the verge of crying”
Plug-ins I Actually Use: Harry Romero
Chaos and Climate: Hildur Guðnadóttir and Sam Slater on scoring the near-future world of Battlefield 2042
Flight Facilities on their sophomore album, FOREVER: “More than anything, it’s our output that keeps us sane and inspired to continue”
RÜFÜS DU SOL dissect their new album Surrender: “When we write, we aren’t thinking about a specific aesthetic. We’re searching for a feeling“
“Many music-makers forget that they’re trying to tell a story”: Austen Jux-Chandler on working with Kali Uchis and Adele
Orchestras, hair metal and Rick Astley: How Richard Jacques scored the new Guardians Of The Galaxy game
yeule: “Pop music is transmutable. Avant-garde carves and shapes how pop will evolve”
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