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Harry Levin
How CRSSD Festival is using synths to transform electronic music fans into producers
How KOAN Sound built a galaxy for their new album, Led By Ancient Light: “It felt like being a beginner again”
EPROM on using Max4Live to control onstage robotics and creating melodies with granular synthesis
Light Place, Right Time: LP Giobbi is a beacon for budding artists
Rodriguez Jr has found freedom after 25 years as a producer: “The most important thing is doing what you really like”
Emma McGann on connecting with fans, live streaming, and building the Monsterverse
George FitzGerald: “With enough imagination, you can make everything sound like anything – your imagination is the limitation”
Mindchatter: “Remixing is an artform and it’s totally different than just writing a song.”
INVT and Skream on blending Latin beats with dubstep and garage: “If you’re going to play this game, try to figure out a way to play it right”
Anfisa Letyago: “I’ve never abandoned my original setup – my productions have evolved like me.”
Satori: “The best albums in the world are made by many people. Not only one person in the studio”
DJ Minx: “Detroit is a close-knit family because we all know where we started from. The DJs get done playing, then they talk to you”
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