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Harry Levin
Grimes’ second Coachella set was fine — but she has the potential for so much more
Why Sacred Society use spatial audio to enhance relaxing ambient music
How Ghost Funk Orchestra weave NASA’s Apollo missions into their music
How Cut Chemist builds the Tunnel Vision audiovisual show
How does metal music fit into EDM? “When it’s done well, it always works”
Back to school with Dillon Francis: Why a maturing music career still needs class clown antics
The indomitable Jonna Lee: Building the audiovisual dream of iamamiwhoami
How CRSSD Festival is using synths to transform electronic music fans into producers
How KOAN Sound built a galaxy for their new album, Led By Ancient Light: “It felt like being a beginner again”
EPROM on using Max4Live to control onstage robotics and creating melodies with granular synthesis
Light Place, Right Time: LP Giobbi is a beacon for budding artists
Rodriguez Jr has found freedom after 25 years as a producer: “The most important thing is doing what you really like”
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