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Finneas
FINNEAS to Rick Rubin: “I look at the breadth of your career, and I see you as a master delegator”
Jon Brion is bored with the past ten years of pop: “The drums all sound the same, the vocals all sound the same”
FINNEAS shares some early production advice he received: “Everyone in the music world is going to tell you why you did something incorrect”
Billie Eilish says recording studios give her anxiety: “There’s no windows, it smells like weed”
FINNEAS on his “ruthless” approach to editing: “Billie and I will record thousands of layers of something – and then cut almost all of it out”
Billie Eilish and FINNEAS reveal to David Letterman just how many vocal takes go into creating a pop masterpiece
James Blake shares which synths were vital in the creation of his new album, Friends That Break Your Heart
Finneas on working with Johnny Marr and Hans Zimmer on No Time To Die theme: “I was prepared for them to boss us around”
Finneas says he was producing “really bad” music for five years before he made Billie Eilish’s Ocean Eyes
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